Happy Accidents
Happy Accidents
Stephen Foster
Author of "Awakening the Actor Within"
Author of "Awakening the Actor Within"
Author of "Awakening the Actor Within"
Let’s take a deep dive into the pool of the universe. SPLASH!
List 10 things you want.
(These should be personal to you and NOT abstractions. I want a paid acting job vs. I want world peace.)
10. I want a new camera/light rig for self-tapes.
2. 10 things I am wanting.
Author of "Awakening the Actor Within"
TRICK or TREAT
Let your Inner Cast come out to play!
Tool from “Awakening the Actor Within”
We are afraid of 2 things: 1) owning our power and 2) being the “bad guy.”
I have 2 conflicting characters who dwell in me: one is “Orphan Boy” (a sensitive weakling like Oliver Twist) and the other is “Dude” (a ruthless, Hollywood A-hole type). And the two of them often put up a fight as to how my show is run. Orphan Boy tends to wish to run and hide, while Dude wants to put everyone down and stab them in the back. But I usually fall somewhere in the middle as I negotiate between these opposing fellas.
Your inner cast members can also be used at those quick auditions as you can easliy adopt one of them instead of creating a full characctrer from scratch. Or you can create a character based around one of them and use the “I remember…” writing exercise to create a one person show or Tik Tock videos.
So, Name YOURS.
Task: Dress up as one of your “Inner Cast”
Task: Make paper dolls based on your “Inner Cast”
Task: Do the following monologue as one of your “Inner Cast”
“I Want”
Acting Practice Monologue
(The NOUN to be filled in will be the character you are playing: mother, brother, waitress, director, student, priest, etc.)
I don’t know why you expect so much. What more do you want? What else can I do? I’m here. I’m here with you. What else can I do that I’m not doing? What is it? I can’t make it out. You don’t tell me yet—you want. You want. But I don’t know what it is that you want. What is it? Do you want it? Do you? You don’t know what it is I’m talking about, do you? You don’t, do you? And yet you sit there and you want, you want, you want. And I stand here, and I don’t know what it is that you want. I stand here, don’t I? At least I’m here. I’m here with you. Look? See? Your (FILL IN NOUN) is here.
Right here, see? Two arms, two legs, and only one head just like everybody else. Yet you want. I feel that tug in you. Where do you want me? What do you want of me? Backward and forward, you want!
That’s what you wanted? That’s all you wanted. Cry? That’s too easy. You can’t get out of it that way. It’s another trick to get me off track. I’m going to find out if it takes me the rest of my life. I’m going to find out what it is you want. Do you hear me? I’m going to find out if it takes me the rest of my life, the rest of my life.
Author of "Awakening the Actor Within"
I hope you are safe and surviving these wild and crazy times. It’s been a struggle for sure. I wanted to share a little good news. My screenplays have been winning awards and My Missing Year has been Optioned!
You can read all about it in this interview with Wayne Devlin from Manchester, England.
I’d like to introduce you to my good friend C. Stephen Foster, a multi-award winning actor and writer of film and theatre. He also teaches a course based on his best selling book “Awakening the Actor Within.”
Stephen lives in Hollywood and divides his time between acting and writing. I have a copy of his book and in my opinion it should be in every actor’s tool box. I asked Stephen where the idea for the book came from and here is what he had to say.
“The original idea of the book came from using the unblocking tools in “The Artist’s Way” by Julia Cameron.
I was a frustrated, blocked actor toiling away at Tower Records. I had been an actor in college and become blocked when I couldn’t get cast. I wasn’t auditioning or taking classes, but I was writing reviews for plays and CDs for a small paper. After reading that book, I had a series of “lucky breaks”, created a show with my friend Scott Wilkerson called “Divanalysis” and that is where the seed of the book came from. I originally wanted to call the book “Dr. Theatre” because I discovered the healing properties of practicing acting.”
What feedback have you had from your book?
“The actors who use the tools, say they love my no-nonsense approach to the craft of acting and the tactics I use to keep them unblocked. The feedback is always, “You helped me discover ME and my talent!” I love to hear actors find their true acting voices”.
If you’d like a copy of “Awakening the Actor Within” you can find it on Amazon.
Stephen has won, along with his partner Chuck Pelletier, over 50 awards. They won 24 for their film “That’s Opportunity Knocking” which is available on Amazon.
Stephen won five best supporting acting awards. This past year he has won eight screenplay awards for “My Missing Year.”
The screenplay for this has been optioned by Yarn Spinner Entertainment.
He has also won awards for his screenplays “Pyramid Scheme” and “Clubbed!” which he hopes to get turned into films.
With your busy schedule what do you do to relax?
“I love travelling to the UK, France and Amsterdam with Chuck. I like really odd quiet stuff: museums, castles, pubs, paintings, books, libraries. Since so much of my life is public. I have a habit of “over-working” and find it hard to relax.
I enjoy film festivals because we get the best of both worlds: we can work and play at the same time”.
Stephen is a genuinely nice man with huge talent that he shares willingly with anyone who wants to learn. His book is the inspiration that actors need to remain focussed and unblocked in order to pursue their acting goals. I can’t recommend it enough.
I’d like to thank Stephen for chatting to me and wish him every success for the future.
Author of "Awakening the Actor Within"
This might seem snarky. This may seem petty, but it’s the first step in healing our acting wounds.
Let’s begin with discouragement. (I know, ouch!) How do we comeback after we fail? When we give a shitty audition? Our agent drops us? When the film we are the lead in goes belly up?
We become frightened, angry, discouraged, and we quit. It’s true. We do. This is a very difficult profession filled with “impossible” odds, fierce competition, and it takes incredible courage to keep at it.
Often, it takes many, many discouraging moments to develop enough ego strength to demand all the attention to move center stage and claim that glory. There are many reasons to stop acting. I know, actors are supposed to have tough skins and be able to bounce off any and all discouragement, but that is not always the case. I wish I had that kind of power, ego-based energy, but most times, I have to be nudged along.
I recently talked to a friend who was “crushed” because the show she was auditioning for was “pre-cast,” and she did not get the part she had her heart set on. She was ruined and said she actually threw her headshots away and was going to get a “real” job”! I understood her pain. I also gave her a dose of “never give up!” I said, “You take those headshots out of the trash and you go to any audition you can find.” Well, she took my advice and the next week she was cast in a better part! The task I ask you to do now is write out some iscouraging moments.
Just getting them in writing helps lesson their power over you.
This is a two-part exercise to dig up our pain, air it and find reasons to keep moving forward.
Complete the following sentences ten times:
I quit acting because_______________________.
What did your list look like?
1. I quit acting because I didn’t make any money at it.
2. I quit acting because my agent dropped me.
3. I quit acting because I got bad reviews.
4. I quit acting because I didn’t like the acting teacher.
5. I quit acting because I was criticized by my friend.
6. I quit acting because I didn’t get cast in the role that was mine.
7. I quit acting because my parents didn’t support me.
8. I quit acting because I grew too old.
9. I quit acting because I needed to make a real living.
10. I quit acting because I didn’t believe in my talent.
Let’s look at the list! Does your list look a bit like the one above? We all have something of the same list, I’m sure. Discouragement is hard. Often, we don’t acknowledge our pain, and it becomes bitter scar tissue that we ignore and believe we can forget about. What happens is we stop believing and we shut off our creativity, and our lives become difficult & depressed. We stop trying and we let the douchebags win! (I mean that in the nicest way! )
The trick is to repair our broken bones and start walking once more. This does not happen overnight. I’ll repeat (for the impatient ones): This does not happen overnight! It’s important to be gentle and kind with yourself. We think we must get tough and mean with ourselves and criticize ourselves and just “get with it,” but this only creates more anger, fear, guilt, and frustration. So I urge you to go steady and slow until you rebuild your courage backup. Take it from me, there will be setbacks. There will be times when you
want to throw in the towel, but we now know enough to not! Right? Good. Acting was once our passion and it can be again over time. With small and delicate steps, we’ll piece you back together again.
Often, we forget that we are actors at all! We forget the game and we stop playing. If we’ve been damaged, hurt, and shamed, we stall out on the side of the road.
We let small things stop us!
Now let’s make another list. A POWER list!
Finish the following ten times:
I still want to act because________________________
1. I still want to act because I want to make money.
2. I still want to act because I want to be on Broadway.
3. I still want to act because I want to be on a sitcom.
4. I still want to act because I’m damned good at it.
5. I still want to act because my parents don’t want me to.
6. I still want to act because I know I can make it.
7. I still want to act because I’m cute.
8. I still want to act because it beats the day job.
9. I still want to act because that acting teacher was wrong.
10. I still want to act because I deserve a home in Malibu.
Did your list kind of look like mine? Good. See, we’re starting to find motivation again. This is fire, or at least smoke. Where there is smoke, there is fire. Now we just need to throw some firewood on. We need to get the sparks flying again.
Author of "Awakening the Actor Within"